Bruce.

Bruce

Oil on Board

Melbourne 2014

400mm x 400mm

Studio Assistant.

Scout is looking less than impressed with my choice of subject matter.

Taupo, Anzac Weekend

This is a quick sketch of the house at Taupo where I have been lucky enough to have many a fine holiday. It is looking back at the house was a dark moonless night on Anzac weekend. The family is inside and the fire is lit. Cozy.

Dexter.

My brother told me the tale of two elderly people who shared a great old pile somewhere in England. They used to communicate with each other via pug - they would write notes and tuck it in their pugs tightly coiled tail and send him on this way.
I met Dexter outside my house one day. He's about 100 in dog years but I think he would still make a fine messenger.

Dexter

Oil on Board

Melbourne 2014

300mm x 300mm

Betty and Barry

Betty and Barry

Oil on Board

Melbourne 2014

400mm x 400mm

I met this old couple outside a bike shop in Fitzroy. They look like they have been together forever.

Frank

Little Frank

Oil on Board

Melbourne 2014

300mm x 300mm

I met this handsome young gent around the corner a few months ago. Although I am a confirmed cat lady there is something so very characterful about dogs. This character is often reflected in the names that their owners bestow on them.

Frank

Oil on Board

Melbourne 2014

400mm x 400mm

George.

George

Oil on Board

200mm x 300mm

Melbourne 2013.

Tour Time.

After a month in the USA I have seen lots of inspirational art. I particularly loved the time I spent in National Portrait Gallery in Washington. It set me in mind of doing some portrait work myself. Like anything that you want to do and do well you have to PRACTICE.
It was not hard to find subjects as our house has been filled with an annual dose of Tour de France fever. Here are my 6 subjects, all inspired by Timm Kolln's wonderful portraits of cyclists. He captured them on film just after they have completed gruelling races. I have done quick black and while images with oil on linen.

 Cadel Evans.

 George Hencapie.

Jens Voight.

Michael Rasmessun.

Robbie McEwen.

Rolf Aldag.

Uncertainty 1965

With the space race in full flight by the mid-1960s, stepping outside an orbiting capsule and seeing what would happen became a massive hurdle to leap. The brave USA astronaut to make this great leap was Edward White, on June 3, 1965 - 47 years ago this week, as part of the Gemini space program.

The extra-vehicular activity (EVA) started at 19:45 UT (3:45 p.m. EDT) on Gemini IV's third orbit, when White opened his hatch and used the hand-held maneuvering oxygen-jet gun to push himself out of the capsule. The EVA started over the Pacific Ocean near Hawaii and lasted 23 minutes, ending over the Gulf of Mexico. Initially, White propelled himself to the end of the 8 meter tether and back to the spacecraft three times using the hand-held gun. After the first three minutes the fuel ran out and White maneuvered by twisting his body and pulling on the tether.

I have painted his first moments in space, hurtling at 17,000km/h above the USA. The photographs on which it is based were taken by Commander James McDivitt.

Ed White died in the tragic fire on board Apollo 1 in 1967. One of the bravest ever.

Uncertainty
Oil on Canvas
1230mm x 1230mm
Melbourne 2012

Family

Here is a sentimental piece of work. It was my Mother's 80th birthday recently and I painted this for her. It is from a photo taken in 1965 with Mum and the six of us in the snow in Ohakune. I love the way she looks so lovely and all of her children look so dopey. That's me - the chubby one on the right.

The Man in the Moon - a life size painting of a US astronaut

Here is my new project, following on from the success of the Lunar Australia painting at the St Michael's Art Awards, and the recent forays into abstract astronauts, I am painting a life-size portrait of an astronaut on the moon.

It is an ambitious project, and will likely take hundreds of hours to complete.

I am especially grateful to the team of passionate experts at HC Pro in Horsham, who provided me with the enormous digital prints I am using as a guide for colour and detail. They are works of art unto themselves.

The slideshow will progress as I work on the painting over the next months.

Lunar 

Oil on Linen

1500mm x 2400mm

Melbourne 2012

2011 Albert Park College Art Show

The 2011 Albert Park College Art Show was a great success raising funds and linking many of Melbourne's artists to the new school community, with the school only opening this year. APC is an arts-based College, and the money raised will go a long way to supporting the germination of an ambitious arts program for the next few years.

Organised by Trudy Rice, Lisa Thornley and their band of helpers (me included), over 270 artworks were exhibited and many were sold. The show also raised money through an auction on the Gala Friday evening event. It was supported by a vast array of supporting workshops including the musicians of APC hosting a public workshop and performance, painting, woodwork, graffiti art by aerosol one and cooking with a Master Chef style cook off for kids.

The large scale painting below this post of a pixellated Buzz Aldrin was one of the many sold.

Here's a link to a 360 panoramic version of this photo of the show on Saturday - click here to view in a browser.

Buzz 2

Buzz 2
Oil On Canvas
920mm x 1220 mm
Melbourne 2011.

Another look at the Apollo series. A radical chance from my last photo realistic image of buzz.

Ongoing Apollo Series.

Buzz
Oil on Canvas
500mm x 700mm
Melbourne 2011

Closeup of above painting.

Buzz with a wink to van Eyck.

Who was the Winner of the Archangel Prize 2011? Me.

Progression of Lunar Australis.

With most of my works I probably spend just about as much time thinking about what I am going to paint as actually painting. Lunar Australis took several months to complete. It is lucky I can think and paint at the same time.

Late Light

Late Light
Oil on Canvas
500mmx x 400mm
Melbourne 2011

This work is based on a photo taken from our time in Wellington. It is looking over Wellington harbor from Seatoun to the Orongaronga range of mountains as the light fades in the late evening.

Portrait: Boy on a Queensland Beach

Boy on a Queensland Beach
Oil on canvas
400 x 300mm
Melbourne 2011.

Serendipity.

Man on the Moon
Oil on Canvas
900mm x 900mm
Melbourne 2011

The intention was to continue on the Lunar theme I have been working on for a while. A friend kindly lent me an overhead projector that had been rescued from a rubbish skip and I copied the image onto acetate to project onto the canvas - but I bought the wrong acetate. The ink did not set but separated out and slowly degraded. It looked far more interesting so that's what I painted.

Things to Do With a Women's Weekly.

Things to do with a Women's Weekly
Paper Mosaic
500mm x 700mm
Melbourne 2011

Side view showing pins the that suspend the tiny ripped squares of paper above the base board.

A competition by the Hobart City Council caught my eye. It called for works out of paper or wood. I have never been to Tasmania and thought if I got a work accepted it would be a good excuse to go south.

My starting point a fantastic App called Lego Photo that converts any photo from your collection into a Lego photo, i.e. it breaks it down into simple blocks of colour. I have used this a couple of times to make patterns for cross stitch works.

I then took an Australian Women's Weekly (Christmas addition) and started ripping. Each square is 7mm across and each one of those is suspended on a pin, held in place with a tiny blob of glue. It was not until I quite a way into the project that I actually took time to work out how many squares that I would have to find/sort/rip/pin/glue the components. That number is approximately 2300. Needless to say, it took a looooong time. So long in fact that I managed to miss the deadline for submission into the competition. Darn.